Proyectos
disponibles en linea
- Robert Smith Basso Continuo Realization on the Cello and Viol (2009)
- Eva Lymenstull Chordal Continuo Realization on the Violoncello: A look at the practice of chordal accompaniment by cellists over the course of two centuries, with a focus on recitative accompaniment practices between 1774 and 1832
- Maria Camahort, Poesía en guitarra
- Judit Bartolet Eduard Toldrà, Sis Sonets per a violí i piano
- Noa Stroeter Sambe Jazz Revisited by Caixa Cubo
- Genzo Okabe How to apply pre-swing jazz style into contemporary composition
- Yuka Sato R.Strauss –Ein Heldenleben: Principles of Performance Practice
- Seung Rok Baek.Seating plan for Brandenburg Concerto No.5 by J.S. Bach
- William Brooks, Damien Harron y Catherine Laws Sounded gestures and enacted sounds
- Luba Podgayskaya The influence of playing the harpsichord for a pianist
- Denise van Leeuwen y Hanneke Nijs Programming and program notes in chamber music
- Floor Le Coultre,The Ultimate Performance
- Paulo de Assis Experimentation versus Interpretation: Exploring New Paths in Music Performance in the Twenty-First Century.
- Seojin Kim Instrumentation in Baroque solo instrumental concerto from the late 17c to the 1st half of the 18c. (One per part orchestra?),
- Ariadna Rodríguez Schubert i les seves composicions per a violí
- Andreu Gallén Muñoz Les Variacions Goldberg,
- José Reche Els germans Petrides a Barcelona: dos trompistes bohemis al Teatre de la Santa Creu (1794-1798)
- de Sergi Puente Encinas Shostakovich i el violí: el Concert per a violí núm. 1 op. 77 i els Preludis op. 34
- Pedro Manuel Beriso Ros Las dos versiones de la Cuarta Sinfonía de Robert Schumann: primer caso de revisión de una sinfonía por parte del propio compositor
- Adrián Blanco Requiem por la muerte del yo artista
- Carles Marigó L'evolució dels estudis per a piano: del taller al gran repertori de concert
- Eulàlia Fantova Àlvarez L’evolució de la veu de mezzo soprano dins la música religiosa cristiana occidental
- Raquel García Tomás La ópera como integración de las artes: LSP 3.1
- Josep Basco Gironés Modulacions i desplaçaments rítmics
- Juan José Faccio Proyecto Delta : interrelación entre intérprete, obra y público en la música contemporánea
- Emilio Parrilla García-Pelayo Jazz and Storytelling: Creative and performances applications
- Úrsula San Cristóbal. Embodying the Middle Ages: The Application of Giotto’s Gestures in the Contemporary Performance of Italian Medieval Music
- Sarah Jeffery 21st century clogs. English clog dance as a tool for creating contemporary music-theatre
- Pere Olivé Aymerich Percussió historiquè?: proposta interpretativa i de notació de la pandereta històrica
- Marit Darlang Fingering charts for the baroque bassoon ,
- Emiel Janssen Right Pedal Using: taming the soul of the piano
- Kaja Nowak What is holy and what is not? Exploring the role of composer-interpreter-improviser in writing a cadenza for Mozart's Violin Concerto K. 218,
- Ariadna Rodríguez Schubert i les seves composicions per a violí
- Emilie Bastens Use your personal learning style for playing by heart
- Francisco José Leal Velada Couto Great breathing, Great Music
- Óscar Caravaca González An interpretation of the hypothetical concertante style of Schubert: Konzertstück for Piano and Orchestra, adapted from Lebensstürme D. 947,
- Paulo De Assis Interpretation versus experimentation: exploring new paths in music performance Véanse los programas de investigación del ORCiM 2010-2013.
- João Guimarães Rival Keyboard transcriptions of orchestral works by M. Marais and J. Ph. Rameau,
- Luk Vaes Extended piano techniques in theory, history and performance practice
- Úrsula Amargós Cordes gitanes: la influència del flamenc en l'escriptura per a viola clàssica
- Claudia Sansón La voz flamenca del violín
- Giampaolo Laurentaci Ricercando tra i Registri
- Ellen Valkenburg Towards a convincing stage performance,
- Wiesje Nuiver The use of the senses during practicing,
- Willem Zwanink, How do you Swing a Quarter Note? An Analysis of the Great Walking Bassists of the 1950s and 60s
- Rafael Palacios La pronuntatio musicale: une interpetation rhétorique au service de Händel, Monteclair, CPE Bach et Teleman
- Pau Sola Música i fotografia
- Peter Peters Retracing old organ sound. Authenticity and the structure of artistic arguments
- Stefan Ostersjo Shut Up ’N’ Play!
Instrumentos
para investigación
Catálogos
y bases de datos
- La biblioteca digital de la Esmuc,
- Répertoire International des Sources Musicales (RISM).
- Music-In-Print.
- Naxos o All music.
- Répertoire International de Littérature Musicale (RILM).
- Jstor o SciELO.
- Gallica.
Software
para el análisis musical y la edición de sonido
- iAnalyse
- EAnalysis
- Sonic annotator
- jMIR
- MIRToolbox
- International Music Information Retrieval Systems Evaluation Laboratory IMIRSEL.
Programas
para el análisis del movimiento
Publicaciones periódicas
- The Journal for Artistic Research (JAR)
- Music Performance Research
- Music + Practice
- Swedish Journal of Musicology. STM 2013. Special issue on artistic research in music.
Recursos
- SHARE: international networking project on artistic research
- Research Catalogue. An International Database for Artistic Research
- SARN::Swiss Artistic Research Network
- Artistic Research in Music / Investigación artística en Música (Facebook group)
- Observatoire interdisciplinaire de création et de recherche en musique.
Centros de investigación artística en Europa
- Orpheus Instituut
- Sibelius Academy
- Haute école de Musique de Genève
- Conservatoire National Supérieur Musique et Danse de Lyon
- Conservatoire national supérieur de musique et de danse de Paris (La Recherche)
- Conservatorio de la Switzera italiana (Divisione Ricerca e Sviluppo)
- Guildhall School of Music & Drama
- University of Gothenburg. Faculty of Fine, Applied and Performing Arts.
